MEMORYCOLLAGE

Photocollage for me is an exploration in memory. Memory is never recalled with crystal documentary precision the way a photograph is perceived as a recorder of facts. There are always edges to a scenario in memories that fade or blur and linger in a state of malleable fluidity. I take fragmentary snapshots of a larger space and piece them together digitally later. Because I am no longer at the location, this process becomes a means to fragment time and space and rearranging them in a way that follows only the emotional logic.

The next step is to evolve this memory into an environment. I especially am attracted to light projections because the image is incorporeal; it is not on a traditionally tangible media such as paper or canvas or print. If you step into the projection, you break the image by casting your own presence into it. 

Time-based media such as video and soundscapes interest me because they are remnants of a time that no longer exists.

pu-ra-da on the grid

sakura tide I

jardin sous la pluie (with a yellow brolly) dans soozhou

noh voyeur

chinese tetris garden

somnambular trains

oktoberbash

STARfish and goldBUCKS

57th floor vertigo on rainy day

stick gladiators at bryant park

ladybird, ladybird, fly away home

down the white rabbit's hole in deyoung

kamakura funhouse

treading water in shibuya

hello softbank

4th dimension drawings

christo central park

something old, something new

harajuku's neighbor

sakura tide II

goldfish ragout

shanghai bunch

bladerunners in old tokyo ameyoko

tree filigree

winter's last hurrah

miss twee's grand day under the freeway